We’re thrilled to announce that the next show in our series, “New Yorkers: Together in Story and Song,” features Tokyo born composer Miho Hazama, one of New York’s most astounding young talents, at The Cell Theatre, November 9, 2017, 7:30pm. Lauded in Downbeat as one of “25 for the Future”, Miho is quickly establishing herself as a force of nature on the world’s stage. With her masterful understanding of harmony and orchestration, Miho developed her signature ensemble “m_unit”, utilizing a veritable who’s who of young innovators hailing from all over the world. It is no easy feat to assert yourself in the highly skilled and competitive jazz world. However, m_unit’s riveting performances to packed adoring audiences at venues such as the Jazz Standard, Blue Note NYC and Tokyo, Dizzy’s Club Coca-cola, and the Jazz Gallery show the world that Miho is here to stay.

Now having two full length releases on Sunnyside Records, Miho has written for and expertly showcased the abilities of guest artists such as Joshua Redman, Stefon Harris, Steve Wilson, and Gil Goldstein, to name a few. Furthermore, each album was carefully overseen by Miho’s musical mentor and jazz composition powerhouse, Jim McNeely. Upon reviewing 2012 debut recording Journey to Journey, JazzTimes describes m_unit as a “…classy large ensemble that keeps the listener guessing and enchanted…something is always lurking and ready to pounce; then skitter away again.” After the release of m_unit’s sophomore recording Time River, All About Jazz had this to say: “At a time when orchestral jazz is either ultra- polished, exceedingly high brow, or a pedestrian pandering to sentimental tastes of yore, Hazama’s boldly organic and singularly exciting collective is a breath of fresh air. Her uncanny ability to remain intellectually stimulating and vibrantly spirited is what makes her work singularly innovative.” m_unit continues to drive towards the future with a scrappy determination and aesthetic that is both beautiful and undeniably sincere.
Tickets are $20. To purchase tickets pleas click here
The Cell is located at 338 West 23rd St, NYC. The doors and the bar open at 6:45pm. The show begins at 7:30.













I think about my father on Memorial Day more than at any time during the year: He enlisted in the Navy on his seventeenth birthday, seventy-three years ago this week. He served in the Pacific, during WWII, and then as part of the occupying force in the year following the war. And he would have been ninety this Wednesday, May 30, one day before the “original” Memorial Day.

I remember my father telling me how he’d lived through a typhoon. But, thanks to Gossman’s diary, I learned that my father left out a major part of the story. On August 21, 1945 the USS Antietam was notified that it was one of the ships chosen to participate in the September 2nd surrender ceremonies in Tokyo Bay, certainly a great honor. Pride must’ve been running high aboard the Antietam as it set sail for Japan. But on August 24 the Antietam’s hull suffered structural damage during a typhoon–the storm my father had mentioned–and the ship was ordered to Guam for inspection. Repairs were initiated but they were pulled from the surrender ceremonies and redirected to Okinawa. My father had mentioned the typhoon but he never mentioned that he and his shipmates were to be part of the surrender ceremonies. I was incredulous when I learned this. Was this a major disappointment? Why hadn’t he told me? I’ll never know.
Ms. Stubbs followed the Chaccone with Alexander Scriabin’s Sonata No. 2, Op 19, one of Scriabin’s most popular works. Scriabin’s sonatas are known as technically difficult works and Ms Stubbs was up to the task, bringing her vast technical skills to the piece, while capturing the very distinctive “voice” of Scriabin’s music.



































